Romeo and Juliet in Vigata by Andrea Camilleri Review

The following sample essay on”Romeo and Juliet in Vigata by Andrea Camilleri Review”: one of Andrea Camilleri’s specialties is to characterize the people of his Sicilian home with a few precise narrative brushstrokes. He puts this in wonderful little framework – which the author seems inexhaustible fund of imaginative, original plots. Almost always also shine through clever allusions to the European cultural history.

If he is looking for the roots of Sicily, he digs up in ancient mythology of course, all of them children of their time without education and alternatives firmly rooted in their order and depending on the propertied ruling class, they are authoritarian hearing, believed and gullible, involved in rigid rituals.

we assist readers Camilleri figures like, amused and attentive, because we recognize in them that they are not only Sicilians, but people like you and me. despite the author’s humorous keynote and often biting irony he never violated their dignity. Because he takes it seriously, and we do not make fun of them, but think ü about them to and bring compassion and solidarity, even if we smile at one or the other gannets.

The cover story contributes to the New Year 1900’s. In Sicily, people are inspired by the exhilaration that will bring “peace and prosperity” a glorioses new century well-visible progress of science. Were lit by electricity in the cities do not have entire streets? Was not there already carriages – without horses! – thirty kilometers were overcome in an hour? Soon, a machine should be able to allow people to fly even through the air … Add Vigata a masked ball to open up the great future.

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As with Shakespeare, it comes at the party too hot blazing passions, sorrow, clandestine meetings, fights, deception and confusion, but the clever lovers of two rival families save yourself the tragic death: a kidnapping brings the saving way out … the supposedly clever citizens of Vigata be.

Neat ripped in “the Queen of Pomerania” the title story of the Italian original edition. No one here knows definite about that distant Kingdom on the Baltic Sea; “Fish, steel and dogs” it should export. But as its honorary consul along with wife to Mayor Ersilio Buttafoco imagine, you feel highly honored. If one of Marchese Carlo Alberto Squillace del Faito means you can not splash out and directed the noble pair adequate Villa to represent his (unknown) land one. The Consul shows up with an attractive offer gratitude: Actually Pomerania noble companion dogs type Spitz’re assigned to an export ban, but Vigata he could obtain an exception. As the dignitaries and business people get glowing eyes; the early breed dog monopoly of Vigata will join in the future “bomb” Full salt, sulfur, potash, almonds, chickpeas and beans. The best thing about all this is that the Consul “as a nobleman of shops absolutely nothing understand” – Vigatas Elite is easy to pull over the table it.

The refined Posse to blind naivety and a single-minded fraudsters! the clearing up really, with its high and understatement, is a delicious masterpiece Camilleri to bourgeois conceit gleefully expose. (Like Romeo and Juliet he plays here too confident with a great literary tradition.)

All other sounds – between spicy and hearty – suggests the author in the last story, “father unknown”. Amalia is the only child bitterly poor field workers. But she is so lovely that they even Don Americo Mastrogiovanni softened as she is the Mother of God in the living crib of Christmas Eve. The unscrupulous crooks, all with its usurious families has put out of business, kneels and asks the Virgin for forgiveness and throws a wad of bills to the girl. Because although the material needs of the family has an end, but not their misfortune. During a storm, the parents are killed, and Amalia gets into the dependence of the uncle Duardo. The exploits the attractive five-year-olds in every way, until he is at the end and as a gambling debt to a bank teller override all assets must. After Uncle Duardos death the orphan must also give their home the man and again destitute as a child. But now she is a young woman, sensible and practical experience in dealing with men. As the cashier a wad of cash in a drawer dumped, she knows how to interpret the offer, and a remarkable career begins. At the end of the story, a young man returns to Vigata back, and all the men of the city are restless …

So all the stories have a highlight. Camilleri, an old theater bunny with a keen sense of dynamics and tempos, voltes and punch lines, brings his stories structurally always to the point, but also mediates between the human and moral depths and shallows. He looks the man in the soul is aware of their needs, the strengths and weaknesses recognizes her character, is a razor-sharp analyst and spitzzüngiger critic of society, but no Hetzer or splitters. Therefore, “father unknown” can with a wonderful final end which exposes the man’s world, and yet we can Camilleri art understanding and mild on her and Amalia look. If they are lucky, people mature itself to reason, as the two ice-cream sellers ( “The Duelist”), the bitter after years of rivalry to a wise conclusion of peace find.