Chapter 62. New Sound Palettes: Mid-Twentieth Century American Experimentalists
Essay,
Pages 1 (250 words)
Views
41
What instruments accompany the voice in Crumb’s Caballito negro?
piccolo
metallic percussion
metallic percussion
In Caballito negro, Crumb requests his singers to sing without vibrato, with a _________ tone.
white
Who is the inventor of the “prepared piano”?
john cage
Which of the following describe John Cage’s Sonata V from Sonatas and Interludes?
irregular phrases
piano produces percussive effects
piano produces percussive effects
Harry Partch was a serious proponent of microtonal music.
true
The gamelan is a traditional orchestra from Japan.
false
The gamelan orchestra is made up largely of percussion instruments.
true
The form of John Cage’s Sonata V from Sonatas and Interludes is
binary with each section repeated
One of Henry Cowell’s innovations was the “prepared piano.”
false
Whose poetry did George Crumb set in his second book of madrigals?
federico
The form of George Crumb’s Caballito negro is:
ternary
Avant-garde music is highly technically demanding.
true
George Crumb is representative of avant-garde composition in the United States.
true
Avant-garde musical styles call for instrumentalists and vocalists who can perform with unusual and challenging techniques and satisfy the composer’s demands.
The prepared piano required in Sonatas and Interludes simulates a:
gamelan orchesta
Which of the following describe George Crumb’s Caballito negro?
atonal harmony
sung in Spanish
disjunct melody
sung in Spanish
disjunct melody
Henry Cowell is known for combining Asian instruments with traditional Western ensembles.
true
Which composer invented new instruments capable of microtonality?
harry partch
George Crumb composed _____________ books of madrigals.
four
In Crumb’s Caballito negro, the piccolo player uses a technique similar to “rolling an R,” called:
flutter-tonguing
Chapter 62. New Sound Palettes: Mid-Twentieth Century American Experimentalists. (2017, Dec 14). Retrieved from https://paperap.com/paper-on-chapter-62-new-sound-palettes-mid-twentieth-century-american-experimentalists/
