The hungry and the satiated by Timur Vermes Review

One has to be Timur Vermes: He has a reliable instinct to track major themes that are the people at heart and they like and controversial debate. It was six years ago, the revival of Nazi cult, it is now called “refugees”. Next would perhaps “old-age poverty” into consideration or “divided society”. These issues are complex enough about it worthy of debate, but also to reduce grip theses. And can it be then exciting, dazzling plots knit when a knack how Vermes.

polarization is already in the title, and does not bode well. “The hungry and the satiated” – that sounds like suffering and luxury, Demanding and denying, Caritas and war. Can you get out as a fabric – the sad story of people from starvation, from poverty, violence, bombs and oppression flee their homes – tailor a snappy grotesque, the spoiled readers masses maintains to play down without the problem

Timur Vermes can, but without dysphagia is not to consume his new novel.

The plot plays a hand with political visions, some of which dream of today eagerly (just as with “He’s back “[Lesen It is my review of Timur Vermes: “Er again da” on books Rezensionen”

But the author brings a second rail into play, namely the way how private mass media take the dramatic situation for their own purposes in fog. Unfortunately, this is plenty of slapstick on the table.

Nadeche Hackbusch is the lead singer of the documentary series “angels in misery.” the presenter stands for “genuine commitment” what its essence a ( charming naive and goofy dolls) and the broadcast logo (a doe in dungarees with a little too large breasts) a leave little doubt.

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The proposal, the next episodes live from the largest refugee camp in the world in Africa, send triggers Sense Brink enthusiasm from when her producer. This is pure when the spectators immerse “authenticity” with the Angel from Germany into misery and can smell it formally. “We have to go where it hurts.” Something washed up fabulous quotas and advertising revenue in the transmitter group, and also the sponsors are happy about publicity through product placement.

Soon jets Nadeche south, accompanied by her technicians entourage and Astrid von Roell, reporter of the main sponsor, a magazine for the modern, assertive woman. One cruist in air-conditioned pink zebra car through the vast tent city (one million inhabitants) and is looking for the right locations and a smart transmitters on site. Thanks to Youtube video speaks like wildfire to the poorest of the poor around that a helpful German Engel ( “Malaika” in Swahili) is hovering in the wasteland, and the message arouses ambitions: As a caregiver can perhaps earn some money, and who knows if in the end did not open a loophole to Germany.

When casting for the coveted job of the guide, the light-skinned Salif subtle prevails, a 24-year-old natural manipulation in their own interest. He skillfully uses all expectations. He’s a few years more mature, claims to be able to serve with dialect knowledge and impresses with wisdom, the meaning of the television people not fathom by googling. “Let me help you understanding Africa … Africa is like a woman,” he whispered, and when asked for his name, he whispers: “The name of a man is the lion anything.” From now on it is called Lionel, he smiles at this and wins all hearts, especially Nadeches.

Who would have thought that such a camp as a market for Nadeches home limping fashion collections (push-ups, bling-bling sneakers could be interesting)? On the other hand, “Malaika” is not afraid, women go in collecting combustibles in the desert at hand. The media representatives present stylized as “selfless work” between “poverty, misery and violence”, and consequently the audience suffer with the victim such miserable living conditions, “How stands the Nadeche Hackbusch?”

While Lionel always in focus of the cameras acts (one affair with Nadeche would be the hit at all, but the two have opposite dreams), “gang boss” Mojo earned in secret to everything. His great hour strikes when the television producers ignite the next hammer. Lionel and Nadeche (which grows on their tasks) organize a trek of 150,000 refugees gen Europe, more precisely, to Germany. Viewers glued to the screens, explodes the support of Astrid’s magazine, and in a bank account go somewhere million one because each participant has five dollars a day at the train via smartphone. The Berlin government can not ignore the forty-kilometer train in the distance, and many citizens expect courageous intervention before the ever-growing line of people arrive at their doorstep.

“The hungry and the satiated” is a relevant and current, very angry society grotesque denouncing satirical exaggeration grievances and thinking about responsibilities, our idea of ​​man, the possibilities, opportunities and obligations of the policy invites. Unfortunately, their author is often too much on the cheap gags and superficial effect of common stereotypes: Green politicians drive big cars, poor people are simple and good, rich arrogant, greedy and stupid. This amuses and exposes out a bit, but soon loses its appeal.

Until rolled far beyond the threshold of pain beyond Vermes Nadeches most primitive-English that their German babble word for word replaced by halfway English vocabulary. “I have never yet a man how you founded,” she croons Lionel, “a man and a human” at. “This is the first mall I do what real senseful.” Shaken by the states in a hospital ward she promises help: “This must go other … I swear.” After only a few linguistic setbacks of this kind one wishes for a mute button or redactions in the book. The same applies to the Private Television bashing. So it is entitled to expose business methods to tear the mask of pretended philanthropy and Niveaulosigkeit ridicule admit so is what you quite a while enjoying coated as bubbly and funny, silly by zig, much too wide out chewed dialogues more and more on the nerves. But zap to the public broadcasters is not …

A reporter for the quality press, which had not viewed the daily documentary “Angels in misery” “still eight weeks ago with the ass,” granted Producer Sense Brink a detailed Interview. At the conclusion of journalist fires the interesting question from “How will end the mission?” So much must here be indicated: a incomprehensible fiasco at the Austrian-German border, screenwriter ripe portrayed as a great head-cinema. At least then concluded with any messing about.