Orpheus Descending Review

The following essay sample on “Orpheus Descending Review”: critique on play “Orpheus Descending” by Tennessee Williams.

Tennessee Williams – surprisingly gentle writer, with a clear, almost crystal soul. His world is so fragile that I want to compare it with one of the most striking symbolic images of his work -. Glass Menagerie

«The Glass Menagerie” … Nothing like it in my drama, perhaps, did not occur. And it is not in shape. Lengthy remarks, detailed characteristics of the characters in the poster. Monologues. Monologues. Monologues. And if the dialogue is as deaf speak: each of his, and the other does not hear. Display some invented, which will light up lettering and picture illustrations.

Why is he so afraid of being misunderstood? Maybe because it is a piece of him – Tom Lane Williams, who suffered himself to all human creative meal unlike any other in anything, grown up in the South, in a family where his stihoplotstvo despised and mocked, “Miss Nancy.” The father wanted his son to be confident, strong, courageous, and his son did not justify hopes assigned to it.

Then my father left …

Orpheus Descending Review

From this point on and play begins. Tom, now an adult, forced to eke out a miserable existence: to live in a great apartment “hive”, making money on the maintenance of the mother and sister, and forget about the happiness and lures. All to see, travel the world, write poems. . In place of this pathetic service at a shoe company where it all despise for not wanting to make a career and a passion for stihoplotstvu

Amanda Wingfield – Tom’s mother – is also saddled with heavy concern: her daughter Laura – disabled, and although lameness almost invisible, she is very ashamed of his injury and locks himself in a little room where there is everything that she needs to be happy: a collection of glass toys and gramophone.

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This is also a kind of escape from the world (the same as the poetry of Tom). Amanda, drawn by maternal instinct, trying to save Laura, sacrificing the dreams of his older and, as it seems, strong son. But if Tom agrees to be a victim? Will he be able to give for the sake of family happiness?

Tom goes away once his father left. At the end of the play we meet it matured, seen and experienced a lot, but still vulnerable. Nothing has helped him to forget the face of Laura, which he gave for the sake of his happiness. And now, looking in shop windows, he sees them as “a person of his sister in the glow of the glass,” and asks for reflection forgiveness, and she forgives her … or him it just seems …

And this is a prose of the late Williams: “The door swings open in the past, silently but inexorably. I can hear the sounds of the gramophone tired, left over from the forgotten father of me, who left our home so suddenly and treacherously like me. I see a weak and sad glass glow – hundreds of transparent figures gentle gentle tones. I breath away, for if in a blaze that suddenly there is her sister’s face – the night was hers one ».