Rione Serra Venerdì of Mariolina Venezia Review

Immacolata Tataranni is ” PM ” ( Pubblico Ministero ) in the Procura della Repubblica in Matera, that prosecutor. So that they exert a state-supporting function, you can not see her. Your flash clothing style for example is a blow to the dignity of their office, if not against good taste, but compensated for their unobtrusive height and strengthened as her fiery red mane, the effect of their energetic appearance. Office work is, as expected, not their thing. Unlike her colleagues, reside the heischenden behind Respect desks, they prefer the middle, if there is to identify something, visited the crime scenes, interviewed the witnesses, urges the forensic pathologist to first guesses.

Imma is a kind human volcano. She is strong-willed and stubborn, fearless (even before> large animals <) to unruly, frank and brusque, and she does not adopt popular when the anger grabs her, she shrill commands or through the office not curbing their cynicism. Because of their expertise to bear it with a sigh, but many a man she finds attractive, among others her loving, patient balancing husband Pietro.

In contrast, the fifteen-year-old daughter Valentina provides with their experiments on mate choice for additional stress. The joy of Imma in the kitchen, where she conjures up regional delicacies ( insalata di arance e finocchi , pepperoni fritti con le olive , sommerlicher Gemüseschmortopf”

the still largely unknown in our writer Mariolina Venezia (born in Matera in 1961) has created with this character a distinctive personality full of contradictions and published the third crime novel with her.

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the first two episodes, “Come piante tra i sassi” < a title = “Mariolina Venezia:” Come piante tra i sassi “in”

now Imma has to solve a murder case, whose victims it is well known Stella Pisicchio was in high school classmate – then a shy girl with braids. that did not care about boys. Meanwhile, it is obviously a different gworden, because when she was strangled in her bed auffand she was dressed not only scarce, but also in a sexually suggestive manner by SM plowed trimmed units. To the murderer to get on the track, Imma refreshed their own memories (her infallible memory is a secret weapon), visited their youth sites, interviewed old friends in the city and in the countryside, and their official ears to hear with attentive when their former classmates started. The gossip-and-gossip carousel turns at full speed, but what are mere shipping companies and fantasies of what serious information?

And what does it mean that Eustacchio ( “Stacchiuccio”), a boy from precarious situations, who lives in the apartment above Stellas, suddenly disappears without a trace? As always, the police in the end to tedious needs involved research methods, in order to get reliable evidence: forensic, witness interviews, study of files, Internet. Among the persons with whom the victim was in contact lately, are so interesting characters like Niccolò de Nardis, from ancient, though now moderate Wi nobility, but still owned by the imposing insignia of his rank – spacious urban palazzo , Jaguar e-Type, arrogant beings. That the no longer very fine gentleman can invite occasionally compassionate villagers to a warm meal, he may agree with his good business sense entirely.

In a crate that Stella has disposed of, you can find a lot of broken glass negatives from the early days of photography. Spicy than the obscenities on many of the shards are the tracks in the first years of the Italian Kingdom was going on as the Piedmontese military brutally against rebellious villagers and brigands in the south to after the risorgimento the new central power from the north secure. Here, also ancestors of De Nardis have mitgemischt.

Imma’s right-hand man at work is the reliable and officious maresciallo Ippazio Calogiuri, also a downright dangerous attractive man as emphasized his superiors. The two have each been standing closer, but have fallen out, as is often suggested. So the difficult relationship is a recurring theme in the series certainly still be continued. Other employees are characterized in Imma’s eyes preferably characterized in that they make stupid remarks not , whilst driving not their private lives spread and endure especially the whims of their chief objection.

the action takes place in the southern Italian region of Basilicata. Matera, the provincial capital, owes its fame to the countless caves that nature and man have driven into the soft tufa slopes of the canyons and are populated for millennia. The confusing system next to and above each other stacked single and multi-space flats, streets, podium, small spaces and rock churches ( “chiese rupestri”) with Byzantine frescoes forms a picturesque, biblical seeming ensemble in which films such as Pier Paolo Pasolinis “The 1st Gospel – Matthew “and Mel Gibson’s” The Passion of Christ “were filmed. So unique and impressive architecture and more reminiscent of a sculpture cityscape is so inhumane, the conditions under which man and beast in the narrow caves without running water and electricity lived, at risk of malaria, typhoid and cholera. Around 1950, the Sassi excited (the two neighborhoods Sasso Caveoso and Sasso Barisano) as “la vergogna d’Italia ‘attention, and President Alcide De Gasperi initiated a bill to the approximately 17,000 residents at public expense in new resettle established neighborhoods, like the Rione Serra Venerdì.

At the latest have been declared a world heritage Site since the Sassi in 1993, they change her face. Chic offices, modern apartments, boutiques, cafes, arts and crafts and museums have been established in ancient caves to the growing flow of visitors to use. With the election of Matera European Capital of Culture 2019, the city is finally arriviert as a tourist attraction – and also represented with Mariolina Venezia’s books literary contemporary. The author is an able ambassador of their home, which is the variety of action scenes at heart. There are caves in the Sassi and apartments in the neighborhood that gives the book the title, to the landscapes of Lucania Dolomites, a brittle, desert, mountainous area that freezes in winter and burns in the summer, their villages, to reach endlessly winding, narrow streets, the time has stopped.

Mariolina Venezia has for many years lived in France, which has widened their horizons, and published collections of poetry to prove their linguistic sensitivity. Its detective novel is linguistically challenging – especially when we are thrown interior monologues of the protagonist with scraps of thoughts, colloquial phrases and mere hints in sentence fragments. The story is entertaining, amusing and full of irony, the tension is fueled by all kinds of cliffhangers, but until the resolution of the case we have to go to Imma’s side many wrong turns. Occasionally Imma is also thoughtful, “Lei all norme aveva semper creduto, che c’entra, fin ragazza there, quando per rispettarle non Passava le versioni [meaning: Because that violates the rules, Imma not let her classmate their Greek homework write], ma in quel momento because lontano, le venne un pensiero:.. che certe volte la legge è un para vento, buono a nascondere le cose che non fanno comodo “<