The following sample essay on Scerbanencos’s novel. Giorgio Scerbanencos father was Ukrainian, his mother Italian. He was born in 1911 in Kiev, but moved in 1927 with his mother to Milan. In Italian, he always felt at home. After her mother’s death in 1929, he made his way with a variety of odd jobs, but about journalism, he found the writing. For magazines, he wrote short stories, romance novels in installments, Cops for Grosch booklet was then just as successful in the fifties, sixties, as editor of women’s magazines such as script and crime writer.
In 1969 he died of a heart attack, only 58 years old and at the peak of his powers.
Scerbanenco coined the Italian crime novel of his time like no other and is considered the founder of the Giallo noir . Even today, this generic name is popular in Italy; Lucarelli, de Cataldo, de Giovanni and their distinguished colleagues say they write noir . The process to make the environment the criminal authentic, their language to present their behaviors unvarnished break the traditional narration by a dialogue marked style and captivate the reader through a breathless, full of surprises offense has its roots in the US, and Scerbanenco developed his very own Milan version.
from the current perspective like Scerbanencos novels indeed appear as a peaceful, solid thriller fare that clearly smacks of the sixties, but it has changed a peculiar effect on the reader. The careful language that quite emotional, but never cheesy action that highly realistic atmosphere, the most melancholy mood, supported by the foggy, rainy, gloomy scene of Milan, and especially the sleek design of the most bitter, hopeless plots where unscrupulous over corpses go and the weak go to the dogs, convinced after half a century yet fully.
Moreover, the books paint a disturbing picture of the Italy of the time, which experienced unprecedented economic prosperity, the company was burdened by glaring contradictions and profound change. Little people, outsiders, embittered, this cold-blooded criminals “modern” embossing and ambitious upstarts cross in their paths often with depressing consequences.
“I milanesi ammazzano al sabato” is about a young woman, Donatella Berzaghi , 28, physically and mentally impaired, but not unattractive. Her widowed father, a truck driver who only can help out in the office after a serious accident, it holds for their protection at home. When she disappears without a trace one day and it sure finds its cruel trimmed corpse soon, he takes the search and meets at the end of the same time as the police and Duca Lamberti, ex-doctor, now a private investigator and one of Scerbanencos Series heroes to the terrifying inhuman and insatiable perpetrators … Just because Saturday is, it can lead to disaster
Penetrating, lifelike characters designed as the young Milla ( “the Girl dell’addio”.) – rich, cultured, intelligent and sensitive, but ugly – you never forget. As they studied patient and tolerant to win over the beautiful Martino, is a touching story, and it brings incredible twists …
The five-year-old orphaned Emanuela Sinistalqui ( “Dove il sole non sorrow mai “) does not consider it more out of the house of her grandmother. On the way to Rome to her boyfriend she gets into terrible wrong circles and ends, though innocent, in the then desperate mills of “reformatories”. Her ordeal until she finally finds to their happiness, can not rest the reader.
To get to know this great author, the band “Milano calibro 9” with its 22 diverse stories is particularly suitable.
“Al mare con la ragazza ” Giorgio Scerbanenco:” Al mare con la ragazza “in”.