The Florentine sorceress Salman Rushdie

At first glance, the new book of Salman Rushdie’s “The Enchantress of Florence” – a historical novel. But, in spite of the voluminous list of scientific sources, it is rather far from the dry facts of the tale in the entourage of the Middle Ages at the intersection of the borders of East and West.

XVI century, blond stranger comes from distant lands to the court of the great Mughal sultan Akbar of the dynasty. He’s come a long way, to tell the story of the mighty one of its origin, to hear that are worthy of a royal ears.

He tells of the wanderings of a beautiful princess Chernoglazki Kara-Koz, has the power to fascinate people. During the capture of her hometown, Princess became the prey of the Shah, but, if possible, has not returned to the family, but remained with the conqueror, for which he was removed from the history of the dynasty. Nothing lasts forever, Sheikh also was defeated, and Chernoglazka moved from one winner to another.

Her next lover was the leader of the Turkish Janissaries argala, former resident of Florence. Fleeing from the wrath of the Ottoman sultan, they flee to Europe and enters the service of Giuliano de ‘Medici. Travel Kara-Koz is exactly the same path of Rushdie and heroes “of the earth under her feet,” Hindustan – Europe – America

Among the actors: Niccolo Machiavelli, the representatives of the illustrious family of Vespucci and the Medici, approximate, and the sultan’s family. Akbar. Corporate identity Rushdie, turning quite freely with historical characters, he breathes life into them, gives volume and prominent character traits.

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One story begins in the main storyline, and then another, and all of them are connected to the overall picture, reflected, repeating, refracted, the characters to each other – imaginary, fictional characters, but the power of thought is so great that the images of what he heard the story, becomes real than the surrounding reality. At the disposal of Akbar’s huge harem of beautiful women, but beloved wife – Jodha, lives only in his fantasies, that does not prevent her to influence the sultan and the envy of competitors

The central figures: the wanderer, princess, argala – strangers. who have lost their roots, who left home, took a foreign culture. And this is their strength: “To see the circle, it is necessary to get out of the circle”. Rushdie shows that alien images of the East and the West is largely created by the mind of man, and he can also overcome differences.

The book is based on the interweaving of stories, narratives and stories, the science of the past. One affects the other: from the traditions of the past comes alive, vibrant, fascinating story, because the story guest of his birth to rewrite history Dynasty

The style of “Florentine charmer” differs from previous confession books Rushdie. there is no bias, emotional narrator, meets readers in “midnight Children” and “Farewell sigh of the Moor”. The structure has become more complex (non-linear narrative, the story-the story-the story), but at the same time has become more clear and stringent. When reading any association: “The Museum of Innocence,” Pamuk (again a clear, transparent text, compared with the previous author’s books), “My Name is Red” by his (then matches a lot, the same time period, close the scene, Culture , the problem of East and West), and, oddly enough, “Cranes and dwarfs” Leonid Yuzefovich (again, the historical part, obsession, repetition in the narrative).