Let me begin with a quote by Bernardo Bertolucci:, “Realism doesn’t mean showing real things, but showing how things really are. It was this definition by Brecht that critically challenged Neo-Realism. Not Rossilini though. Rossilini is the only one in Neo-Realism who didn’t just show us things, didn’t just try to be a realist, but gave us an idea of things. He wasn’t interested in the appearance of things, but in the idea behind the things. Even the idea behind the idea.
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Italian Neorealism was known as a “new realism” at that time. It was a film movement that showed the changing styles and attitudes of the film industry after the World War 2. Italian Neorealism greatly influenced the fictional films that were made in Italy itself and other countries too. The manner was very realistic, and these films showed a huge contrast with the films that were shot in the World War 2. There are various styles which can be related to Italian Neorealism.
They are as follows: Unprofessional actors, using real locations, dubbing Italian language, a real comparison with the events that occurred recently with the World War 2.
All Of this began in the 1920s; Benito Mussolini founded the Fascist Party. The fascists used film as a tool of propaganda, and this made the Italian Film industry very controllable, and it was censored. Benito Mussolini founded Cinecitta, which is a film studio. The intention of opening this was to promote Italy and the fascist ideals through the medium of cinema.
The Germana, after capturing Italy, looted Cinecitta, and all the film production systems were moved to Venice. The Allied forces bombed Cinecitta. The Roman filmmakers were denied from the money and the access to any facilities. This period was the beginning fo the Italian Neorealism. The films that were resulted because of this are Rome, Open City.
The Cinema is a magazine which had a particular film critics who were not allowed to write about the…
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