Mamas wonderful Heart | Il Michelangelo Nino Vetri Review

Anyone who has ever traveled through Italy, she knows: those shells of concrete ceilings, in between a few thin cement pillars that make rusty reinforcing bars sprouting. For years, they can semifinished endure in Nowhere until the owner again has gathered some money, time and material and Nothingness convert gradually red brick walls between the floating floors to proper levels

Soon the (unnamed). nine years old, pull narrator of a block of flats in Palermo in a new apartment outside the city, where land is cheap.

For now, is there, in the quarter Michelangelo , but only a “pile-dwelling settlement” on a greenfield site. Every day the family goes out to colonize their imaginary home and try, where the walls, doors, windows and furniture are expected to grow again.

The clever, imaginative boy finds here a paradise on “virgin territory” populated by rare animals. If he roams there with his buddies, they feel sometimes like American pioneers or Africa researcher, sometimes as Norman in the fight against the Arabs as Garibaldini or World War II soldiers.

In the evening bounces “Comrade General” unceremoniously on civilization. Mama tried him in a vat of his armor of dry clay and bicycle grease to peel, Wasserschwälle accompanied by desperate rants because of the ruined pants.

Many who live here, are inclined characters. The narrator observes and learns from them. The “burly” Carabiniere who always takes the “skinny” on the arm. The old man with garden fruits and vegetables to the gram exactly sells and does not need to scale.

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The suspicious “Volatile”, each question with a counter question absurd in such an irritated tone counters that she rebuffs everyone. “We greeted him, and he:> Are we Hail is no longer <" His brother, however, is "nice and neat and well behaved," "an honest man" with a inconspicuous white Fiat, and he seems to feel ashamed for the "fugitives".

of course, this place is not paradise is still virgin. In the desolate area “middle of nowhere” there are no roads, no supermarket, no parish. Now and then a priest comes on Sundays in the Diaspora cycled, a “kind of missionary” in tropical jacket over the gown. Probably he would be “gone rather in the Congo, the missionary.”

Michelangelo is nothing like it anmutet. The enchanted park of princes and emirs are a ruined desert where huts and war relics rot and “even thrive excrement again” in the spring appear. If you walk to the “pedestrian zone”, one thinks one of the deserted streets to which hardly ever lost a car. Is it a police car sounds at the bar (a former “garage tuff cubes”) the obligatory sharp whistle, and some people makes quietly away. The “volatile” ( “How many chickens do you steal?” The Carabiniere provoked him) stops calmly as the only – “a poor devil of a fly would have done any harm.” His “brave brother”, “the flagship employees”, however, is “one of the crime lords of the area.”

Italy’s south are sunny and shady sides close together, especially in Sicily, and in the cities on allerdichtesten. Baroque Splendor – crumbling; proud remains of ancient greatness – in the streets heaped garbage; enormous churches – next gloomy roomed Bassi ; wide beaches – behind rusting industrial ruins; photogenic poverty, picturesque decay. Exuberant joy and overwhelming hospitality -. Ruthless actions against organized crime

A pretty symbol of Palermo paradox is the heart that is the title and the cover sheet – a popular emblem between eroticism and religion. The boys meet a worker “with an enormous cross and enormous biceps.” What then can a bear on his upper arm tattoo? “Mama’s Heart”, in pictures and words. The narrator is stirred: When Nägeleinhämmern “the heart seemed to beat struck for his Mama How could such a scare you make..?” And where does one so beautiful tattoos? “In jail.”

The gap between all these oppositions, the boy bridged by its flourishing storytelling. He simply can both merge, the ugly and evil resolves itself in poetry. This strategy is how the counter-question-Marotte, a personal protective armor. In the evening, waiting not only the mother but also the angry father ( “Everywhere we looked for you! With the belt you’ll get it!”). As soon as he raises his hand to the offspring to put a beating, the boy begins eager to invent stories that he who exploits have it done for miracles seen today. Like the hand of an old pressure gauge remains of his father’s arm as long in height, such as the fascinating portrayal wearing it. Does the fantasy or if he is silent for a moment, the threatening hand approaches;

Despite the acknowledgment of the importance blatantly father’s “Scheherazade” -son In Michelangelo learns the boy – dries his poetry production finally, the punitive arm falls at the end still down. what will he later deepen in life: “You would make a buffoon on and plays dumb to survive.” Where confusion, deception, mimicry, confusion become the norm, even the imagination suggests at the end in truth (or vice versa?). The father asks a confession because banged up knees, but because the son has a bad day, he served him exceptionally the truth; but is so fantastic that the father keeps them for a good fictional robber pistol … From now remains the uncertainty about what is to be believed and what is not.

The first story ends with the end of the romance. The “Stilt” is completed, the city moves in the form of roads, supermarket, new apartment blocks closer to the adventure terrain degenerates into pitiful islets folkloric character types settle

In his second story. Is the narrator, now a student pulled the city into a dark area, a ghetto in constant ferment, whose residents remember ( “formless beings”) to mice or the “golem”. Again he experienced an uncertain reality and truth in question. There is the paradox of the honorary president of a religious congregation that were freshly released from prison or still being held, and the flying dealer, who is called the “poisoner” because he sold rotten stuff – because however, never in their own area or friends of “uncle Mario,” he is in the same breath “an honest man”. Many residents face with a name and number before: “I’m Luigi, 640b.” It is the Criminal Code section of their convictions, they proudly “title of nobility” cause shown. “The bottom line is many things, what seems like a paradise, hell, and vice versa.”

After this education follows the third and longest history a grotesque road movie through a surrealistic alienated Palermo, a log of exactly 24 hours, wanders the narrator with his friend, the “genius” through the city. An inordinate amount of alcohol clouded their senses, they can get off the ground, making them desert dreams. Words fail them in places, in streets, bars, Baroque fountains and churches. Fluctuating figures approach and disappear: the dubious “old” chicken frying “Nigerians” toothless “odalisques”, Irish legendary figures, an apocalyptic preacher who “can rot for the rest of your days in the cell,” his congregation would gladly; he issued the “non benefits” and “cowardly repeat offenders” his blessing, but “absolution”.

incessantly bombarded snatches of views of life, cultural criticism, facts, observations, certainties and doubts on the narrator a who has nothing to oppose in his indecision, he still feels himself as a “hole in the wall”. “Large commitments in life we ​​can not accept,” he admits ruefully. . Just, it is sufficient to adopt a casual job – a Kafkaesque errand

In the end, the reality is only a picture puzzle, a questionable limbo: “Tell me, the lamb can rest with the wolf?”

The grand storyteller Nino Vetri has written four books so far; they are published by Sellerio and Edition.fotoTAPETA: Hotel ” Le ultime ore dei miei occhiali ” (2007) Nino Vetri:” Le ultime ore dei miei occhiali “in”

Nino Vetri is also successful as a saxophonist. His group “zur website von” La Banda di Palermo “”