Sylvia Plath and Ted Hughes Critics
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Uroff says about Plath’s speakers…
Plath makes the self the centre of her poems
Plath uses techniques of parody, caricature and hyperbole to distance the speaker
Plath uses techniques of parody, caricature and hyperbole to distance the speaker
Dobbs says about Plath’s presentation of women… (2)
‘conflict between family and career’
‘fertility of the spring is the disorder that romance brings’
‘fertility of the spring is the disorder that romance brings’
Freedman says about Plath’s presentation of women… (2)
‘rejection of the female role
‘female speakers are typically inanimate and passive’
‘female speakers are typically inanimate and passive’
Lindberg says about Plath’s women
disgust at the human female
Aird says about the structure of Plath’s poetry
the conclusion is the climax
search for the dynamic and fear of the static
exploration of balanced opposites
search for the dynamic and fear of the static
exploration of balanced opposites
Beake says about Plath’s structure
Plath’s long lines are often sculpted by the movement of breath
Aird says about Plath’s presentation of the ordinary
household concerns and uses them as a stepping point for wider concerns
influenced by Roethke
Wagner says about colour
some critics rely heavily on Plath’s use of colour
Kinsella says about Hughes’ animals…
more symbolic than weak
pushes the sublime into the brutal
pushes the sublime into the brutal
Lindberg says about Plath’s presentation of nature
psychic landscapes
never seems to be quite at home
landscapes serve as mirrors for a self
never seems to be quite at home
landscapes serve as mirrors for a self
Aird says about Plath’s presentation of nature
presents the dangers of a man made world
Annas says about Plath’s presentation of nature
stasis and perfection are always associated with sterility
the divided self in Plath’s poetry
Study of double identity (The Magic Mirror).
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Plath saw this as a contradiction in man.
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Death of one self in order for the new self to exist.
Robert Graves- t=The White Godess
she is linked with birth, love and death
an approach to the study of mythology
an approach to the study of mythology
Skea Wolves
wolves embody the contradictory qualities of the natural energies- beauty and horror
Wolves for Hughes
part of the uncivilised prehistoric inheritance which is still present in our instincts and emotions
Fuller on crow poems
anti human ideas, sadistic imagery
Hughes and ecocriticism
Hughes’ poems anticipate ecocriticism
Hughes’ dream
‘a figure that was at the same time a skinny man and a fox walking erect on its hind legs’. The man-fox left a bloody paw-print on his essay, saying to Hughes, ‘Stop this – you are destroying us’
Eco-Feminists
environment and women repressed by men
Webb- Hughes interest in animals
connected to his preoccupation with the survivalist qualities evidenced in the First World War
Armitage conflict
poetry of conflict, of dramatic tension
poetry and religion Gifford
Hughes’ belief that poetry has become the secular healing substitute for organized religion
Webb animal poet
Hughes is termed an animal poet
awareness of animals as a founding element of his identity
Henry Hart
identified with the predatory animals themselves.
Clark P+H violence
mutual interest in violence
Uroff the self
Uroff finds that the self in Plath’s poems is weak and submissive, wheareas in Hughes represents a ‘witness [to elemental power] in control’
Rich Feminism
praises her female energy and dynamic charge
pastoral?
critics agree Hughes’ work isn’t traditional pastoral
A05 Hughes animal metaphors Sandie Byrne
Relationship between man and nature or aspects of the self
Eliade: Shamans
succeed in creating the time when the divorce between man and the animal world had not yet occurred
Morrisson on Wodwo
human act of wodwo is its intelligence and self- consciousness
Hughes treats poetry as a form of quest. Wodwo metaphor for perseverance
Heany and West voice
Heaney- authoritative voice
West: ‘I’ poems become an actor in a drama
Hughes human nature
-presented through animals
-negative aspects of human nature
-Skea: uses crow as a symbol of dark, subconscious human nature
-negative aspects of human nature
-Skea: uses crow as a symbol of dark, subconscious human nature
Richard Webster love
-conflict between violence and tenderness
-Christian ideal of love
-Christian ideal of love
Chinon Review love
finest love poet of his generation
Sylvia Plath and Ted Hughes Critics. (2018, Jan 19). Retrieved from https://paperap.com/paper-on-sylvia-plath-and-ted-hughes-critics/
