Lesbianism In Goblin Market

This sample paper on Lesbianism In Goblin Market offers a framework of relevant facts based on the recent research in the field. Read the introductory part, body and conclusion of the paper below.

In reading Christina Rossetti’s “Goblin Market”, I was first impressed by the colourful imagery and exciting events that take place in Rossetti’s fantastic and mysterious creation. The adventures of Lizzie and Laura, and Lizzie’s ultimate act of heroism at saving her sister from becoming another victim of evil goblin men, was fun to skim through quickly and enjoy on a surface level.

But when I read the poem again, I noticed some serious sexual undertones throughout the piece. The goblin men and what they represented, their dealings with the sisters, and the sacrifices their victims must ake all carry very sexual meanings and messages.

In fact, I think many of the images in “Goblin Market” could be construed, in today’s world, as a form of pornography.

I’ll go through various elements of the poem and explain how the representation of men the bonds of women can be interpreted as pornographic. Christina Rossetti invented the characters of the goblin men in order to explore many of the issues associated with feminism and gender roles in society. The goblin men directly represent what men want from women. Men want sexual innocence from women, the typical male fantasy of the willing virgin is laid out quite clearly.

Theme Of Goblin Market

In contemporary society men gawk over young looking pop icons such as Brittany Spears, and pornographic movies reenact school detention scenarios with women dressed as schoolgirls offering themselves to guidance counselors.

Get quality help now

Sweet V

Verified

Proficient in: Sexuality

4.9 (984)

“ Ok, let me say I’m extremely satisfy with the result while it was a last minute thing. I really enjoy the effort put in. ”

+84 relevant experts are online

Hire writer

The same is true in “Goblin Market” the men only want virginal young women, and once the fantasy has been lived out for them, they have no more use for the poor female victim, and throw her away. Laura no longer hears the cries of the goblins therefore she is no longer worthy of men’s attention.

Consequently after premarital loss of virginity, women, like Laura in the oem, feels stripped of her dignity and self-worth, and can no longer go on living the same way again. Other examples of Rossetti’s portrayal of the goblin men as sexual predators abound throughout the poem. “One had a cat’s face/One whisked a tail/One tramped at a rat’s pace/One crawled like a snail. ” Such variety in describing each goblin seems to assert that such devious sexual predators can come in all shapes and sizes, and can easily fool their unsuspecting victims.

Rossetti does the same late in the poem when describing the goblins’ courting of Lizzie: “Snail-paced and in a hurry/Parrot-voiced and whistler” This demonstrates that sexual predators can use many different methods in seducing a victim. The goblin men also seem to possess biblical qualities as well. Such as when Eve tempts Adam in the Garden of Eden, so do the goblin men try to tempt the virgin maidens with their own ‘forbidden fruit’. The men first seem perfectly nice and genuine, but when they are rebuffed they become violent and angry. This too can be said for many sexual predators.

The “rape scene” with Lizzie later in the poem could be looked upon in a contemporary light as the violent outbursts of a scorned man bent on wicked and ainful revenge. Whether Rossetti intentionally depicted the goblin men as such chilling and horrible sexual predators is uncertain. However, it is clear that in “Goblin Market”, they are most definitely the villains. When the goblin men deal with the sisters, there are some very sexual ideas demonstrated. The objects of desire in the poem, the fruits, are described in an overtly sexual manner, by both the goblin men, and later the sisters themselves.

Strong sexual suggestions are used in describing Laura’s indulgence in the fruit, in her first encounter with the goblin men. Such sentences as “She sucked and sucked and sucked the more. ” And, “She sucked until her lips were sore. ” Of course like I have mentioned previously, the goblin men have use only for virgins and as part of the same stanza as the ‘fruit sucking’, “They flung the emptied rinds away. ” The throwing away of the female victim is also tied into the fruit as the rinds describe the women who have lost their virginity.

The fruit is described to be fresh and beautiful and “unpecked” the women are tempted with the fruit that is supposed to be a joy to eat. It sounds tempting and once had, Laura ants more, she searches for it but is non-existent to the goblins. It sounds much like the age-old story of young men coaxing women into sleeping with them with promises of being around the next day. Laura describes the fruit to her sister, “What peaches with a velvet nap. ” “Pellucid grapes without one seed. ” Which as I would decipher would refer to sex that is not in the intention of procreation.

Although the poem has not been given a solid place or time, the activities of the sisters strike me as rural and pre-industrial which might refer to a time when in many cultures sex was strictly an activity to procreate. Like men offer love and passion, the goblin men offer incredible fruit the price however is virginity and the result is being unwanted. As shown in the poem, first by Jeanie and then by Laura, consequences of dealing with the goblin men are very grave, and also bear some very sexual connotations.

Jeanie encountered the goblin men and then ached for them until her death. I believe Jeanie’s death to not be the important part of her story, although it may represent misogynistic genocide, as premarital sex can lead to death in some cultures. What I do believe to be mportant is Jeanie’s aging and her gravesite. Jeanie was described to have “dwindled and grew gray. ” She became old and unwanted after a single act with the goblins. Age is definitely an important issue to discuss in the realm of women and therefore is mentioned in women’s literature.

Age used to be of importance for child bearing endurance, today it signifies beauty and the media attacks the self esteem of every women the minute she looks a day over sixteen, refer to any Calvin Klein advertisement. Even more interestingly there is a reference to Jeanie’s fertility, “While to this day no grass will row, where she lies now. ” It is not hard to understand where this reference is coming from as much of the reason men demanded to marry virgins was to carry a blood line and a women who is not a virgin before marriage would be considered infertile or ruined.

The goblins traded fruit for virginity, today virginity is sold as an idea in primetime television, movies, pornography and white wedding dresses. Sexual references come to a peak near the end of the poem during Laura’s redemption. It has been read as a lesbian love scene, and acts as the pivotal point of Laura regaining her virginity. They way this part of the poem is written makes it the most erotic but this was where I had to stop and back track rereading very carefully. I reassured myself that these two characters Laura and Lizzie were in fact sisters.

They had the sister bond, the female bond, which is reinforced at the very end, and now the bond of lovers. I think Rossetti ignored the incestual side of this love making and used it purely to empower women and display the strengthening of the female bond as well as the absence of men. The three bonds between women are now displayed sisters, friends nd lovers however I cannot ignore the crossover of the sister and lover bond as Rossetti surely must have considered this new addition, the topic of incest.

Is the incestual relationship an awakening for both of the women, a chance to experiment and exercise sexual explorations in a harmless way before moving on to marry and have children? It may be just a metaphor that the bond between women is so strong as we read that Lizzie helps Laura regain her virginity. I can’t help but see that this eroticism is also representing a male fantasy. Two sisters in the act of lovemaking can very well be read s pornographic if not taboo.

Hue Hefner is dating twins, and many movies particularly those that have themes of sex refer to such scenarios. Christina Rossetti’s “Goblin Market” a children’s poem, tells a tale of exploration, loss of innocence and redemption through the story of goblin men who sell forbidden fruit. The imagery of the goblin men and their fruit has many sexual and biblical undertones. The story raises issues of the premarital loss of virginity, bonds between women including lesbian relationships and sexual exploration under the thumb f society’s view of women’s sexuality.

The goblin men represent what men want, they offer forbidden fruit which is sweet yet devastating and the price is virginity. The consequence of encountering the goblin men is the loss of control and becoming unwanted. The story touches on many taboos, clearly portraying what men want and what bonds should exist between women. The eroticism of the poem produces images that can be construed as pornographic yet I will concluded that these images are issues that exist even today in our society between men and women, and relationships.