The mise-en-scene of a film can be described as the physical environment of a film which relates to the setting, lightning, costume, cosmetics and the performance of the figures while cinematography simply emphasizes the movements of the camera, such as camera angles, distances, heights, and levels. Would The Matrix movie, especially the escape sequence, be as popular if there was paid no attention to the expression/ behavior of figures or the positions of the camera? The function of patterns of movement and expression by figures signifies character traits and metaphors which relate to the elements of overall theme of the film such as the reality versus an alternative world as well as the battle within oneself and the conflict with other people –camera movements use certain focus such as shallow or deep shots to enhance the narration of entrapment of the characters in situations that could potentially influence their future or result in death, these movements enables the audience to get a better visualization of the impact of each action.
In this sequence, Mr.
Anderson also referred to as Neo (K. Reeves) is located in his cubicle at work. The scene starts with a dolly shot that takes us into Neo’s cubicle, beginning behind a separator screen and moving the camera backward to fully reveal the cubicle, this demonstrates just how Neo is enclosed in his environment. The first disruption of the linear motif happens when the phone that Neo received from a messenger rings and a low angle, medium close-up shot focuses on Neo’s face and then on the phone, the focus being drawn away from Neo onto the phone states that the phone is initiating a to Neo’ disruption in Neo’s day-to-day routine.
The low angle camera movements were significant in portraying the new depth and new world added to Neo’s live and the rapid movements of the camera depicted immediacy and urgency of the call.
By using a point-of-view shot, tracking the camera up…
Mise En Scene Analysis. (2019, Nov 27). Retrieved from https://paperap.com/paper-on-mise-en-scene-the-matrix/