Mafia Night Robbery Plan

The following sample essay on “With night “: the Mafia rob – who came on for such an idea? What the control of the honorable family Cuffaro is, is so sure that it does not even need a watch, and that includes the supermercato in Cava d’Aliga. Nevertheless, in the night, the entire day’s takings were from the desk of the store manager Guido Nicotra (in the novel he is called Borsellino) stolen. Who likes so bold – or foolish? – have been to make as commissario Montalbano and his colleague Mimi Augello Nicotra, he is extremely nervous and irritated.

His story of the defective night safe of the bank do not take them from him. Because there is no departure tracks, the thief must have a key. The second key is the consiglio dell’amministrazione (the group of four Cuffaro straw men Board chaired by the onorevole Mongibello, lawyer Cuffaro), the other Nicotra himself but rejects any accusation annoyed by it.

The next morning we find Nicotra hanged in his office.

Suicide of insight, regret, despair, fear? On local television Televigàta the commentator Pippo Ragonese polemic, the commissioners had the poor store manager driven by their gruff interview into a corner and to suicide. Court doctor dottor Pasquano Montalbano, however, has already set about his findings informed accordingly Nicotra was clearly murdered. detect the airtight solid, he says gleefully in the finish, but was Montalbano’s problem.

Meanwhile, the police employed a second unnatural death. A young woman was stabbed cruel.

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Her partner Giovanni Strangio found it and went immediately to the police station to view the murder. Despite his peculiar behavior – why he did not just call? – it does not come as a perpetrator into consideration, because convinced his alibi. This investigation followed in higher circles with heightened scrutiny because Giovanni’s father is the presidente della Provincia di Montelus, Michele Strangio.

In order for the tentacle tip of an octopus is visible, as it turns out in the course of the study, a variety of activities under control and has any cold-blooded and ruthless take a stranglehold that threatens to step out of line. The well-organized crime family base is covered and supported by a number of influential powers in leading positions in politics, the media and even the judiciary, cook all their own thing and have nothing but their most private benefit in view. What this system of silent giving and taking ( “sensibile all lusinghe”) on economic, political and moral damage caused, interested in them any more than the lives that like ‘collateral damage since there is to crack to all the carefully hidden connections to get on the track and endure its own course between the fronts of self-interest many nuts for Montalbano. From politics he gets pressure in the media, he is brought before the prosecutor favored very different theories than he, and the Questore Bonetti-Alderighi laments: “Lei mi ha fregato la carriera”.

How octopus legs appear several plot threads from the gloomy reality, affect each other, dive again, is knowing until finally, who is involved everything where everything comes together. Until then, three murders have happened, there are several confessor to choose from, and eventually even the Questore Bonetti-Alderighi pleased: “Abbiamo vinto”.

This film is particularly dialogue-intensive, Police and provide information under interrogation, Montalbano explains his conclusions, and the viewer has to listen and think for themselves in order to grasp the complex picture of reality and deception in the end. Fortunately for us, stranieri the dialect threshold is very low; mostly we speak Italian, not Sicilian.

Montalbano is this time hardly leisure to indulge in melancholy musings on aging. For this it agree the results of his research pessimistic. He has decades of his life dedicated criminals to justice to help on the jumps, and what does it do? With Mimì Augello he muses about the big picture: “Che paese è diventato il nostro un paese in cui un ministro della Repubblica, poco tempo fa ha detto che con la mafia bisogna convivere  sono preoccupato per il mio paese  “Camilleri complained itself (in” Camilleri racconta, “a two-minute monologue that precedes radiations Rai Uno recently) how corruption in Italy continues, even after mani pulite , its official concerted fight in the nineties, and he says, was “Una voce di notte” “un romanzo contro la corruzione  un romanzo che vince i corrotti ma forse perché è solo un romanzo.” This is a political crime novel remarkable .

Ispettore Fazio proves to be true right hand of the commissario . He is not only with his sticky notes ready to report fussy what he has researched diligently, but delivers his boss funnily enough information before the it has ever responsible for investigating ( “Già fatto.”). Montalbano amazed disbelief at this proof of congeniality, but he ironed out the special power rather a sarcastic way, instead of his assistants to praise once strong.

That Montalbano’s birthday (58 he will), he has obviously forgotten (or perhaps fail). Catarella reminds him as he warmly embraced him (well-intentioned, but the boss clearly uncomfortable) causes and the call of Livia (as so often) only discord.

Catarella allowed to cross the usual role of Tolpatschs and Wortverdrehers ( avvocato Nullo Manenti becomes “Nulla Facenti”) shine out again once as a computer expert. This gives him a rare chance his usually gruff boss times to explain something ( “Ha capito?”).

The film contains many quiet scenes, the camera focuses often on the delicate facial expressions of the protagonists expenses .

• the movie in the Italian original: DVD “Una voce di notte” in.

• the movie in German synchronization DVD “Eine voice in the Nacht” at.

• information on the text Basics of the film, see the

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