Sergei Rachmaninoff Trio élégiaque

HISTORY of the played music:

Trio élégiaque No.1 in G minor by Sergei Rachmaninoff (1873 – 1943): Trio élégiaque No. 1 in G minor is a piece for piano, violin and cello by Sergei Rachmaninoff. The trio was composed on January 1821, 1892 in Moscow, when the author was 19 years of age. The work was first performed on January 30 of that year with the arranger at the piano, David Kreyn at the violin and Anatoliy Brandukov at the cello. It trusted that the primary version will show up, and the trio has no assigned creation number.

Rachmaninoff composed a second Elegiac piano trio in 1893 after the passing of Tchaikovsky. Piano Trio No. 1 in D minor, Op. 32 by Anton Arensky (1861 – 1906): was devoted to the memory of the unbelievable Russian cellist, Karl Davidoff, chief of the Petersburg center amid Arensky’s time there as an understudy. Piano Trio in G minor, Op. 15 Bedrich Smetana (1824 – 1884): made because of the demise of Smetana’s oldest little girl Bedriska.

Instruments were played:

Piano (by Jitka Cechová), Violin (by Radim Kresta), and Cello (by Jan Pálenícek)

Performers: from, background, and what do they play:

The Smetana Trio, from the Czech Republic, established in 1934 by the unbelievable Czech musician Josef Pálenícek, musician Alexandr Plocek and cellist František Smetana, is the present premier Czech chamber group.

Right now involved Jitka Cechová (piano), Radim Kresta(violin), and Jan Pálenícek (cello), the Smetana sustains the interpretational goals made by its famous antecedents just as other superlative twentieth century soloists dynamic in ambiance music.

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My own response to the performance and the music:

I was never an extraordinary admirer of Rachmaninoff, until I found his chamber work, particularly the cello sonata in g minor and this trio. Completely glorious music. Completely clear! Superbly comprehended! No dead focuses! The reasoning of the writer emerges great! Enthusiastic, convincing, propelled and natural.

My response to the substance of the performance and the music:

The performances of the two trios are somewhat less friendly than those of the Trio, yet the restriction can be telling, as in the grave coda of the Second Trio. It surely doesn’t block dim force. This work is thrown in just a single development, as opposed to most piano trios, which have three or four. This development is in the traditional type of a sonata, however the article is based on twelve scenes that are symmetrically spoken to in the reiteration. The elegiac topic is displayed in the initial segment Lento lugubre by the piano. In the accompanying parts, the epitaph is exhibited by the cello and violin, while the soul is always advancing. The subject is eventually recast as a memorial service walk.