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Naturalism in Stephen Crane’s “A God in Wrath” Essay Paper

The 1880s to the 1940s Markss a period in American Literature known as Realism and Naturalism. This was the clip when most literary plants reflected the thoughts of pessimism and determinism. and where events and even God oppose human free will or stay apathetic to human desires. One writer and poet of this epoch was Stephen Crane. Crane published “A God in Wrath” in 1905 in a aggregation of verse forms called The Black Rider and Other Lines. The verse form. which is about a God tormenting a adult male. reflects the repeating subject of naturalism with cases of pessimism. determinism. and withdrawal.

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Naturalism in “A God in Wrath” Pessimism. Pessimism. or the apparent inevitableness of the happening of negative events. fills every line of the “A God in Wrath. ” In the verse form. the really fact that a God is penalizing the adult male is possibly the greatest indicant of pessimism sing that no adult male can of all time be greater than a God. Therefore. no adult male can of all time get away a god’s wrath and so a adult male who is enduring from it will certainly endure till the terminal. Indeed nil can be more pessimistic than that. One peculiar line. “He cuffed him loudly” ( Crane ) . indicates that the adult male is bound and has no opportunity of flight of all time.

Furthermore. one should take note that these turnups are put by a God and hence impossible to acquire rid of. Besides. the turnups are in the signifier of “thunderous blows that rang and rolled over the earth” ( Crane ) . This means that these are non merely simple bonds that merely necessitate a key to take but that they are every bit complicated as they are hard to detach. Possibly one more indicant of pessimism in the verse form is the presence of a crowd of people who are non shown to assist the adult male. or are portrayed as helpless animals that do nil but observe and add to the man’s hurt by stating “Ah. what a wicked adult male! ” ( Crane ) .

The adult male in “A God in Wrath” is already in deep agony when “All people came running” ( Crane ) . However. although he “screamed and struggled” ( Crane ) . the crowd. alternatively of assisting him. reprobate him more by naming him wicked. In existent life. one can see people who non merely ignore those who ask for their aid but even see them as immorality. Such is the image of the society that Crane may hold wanted to demo through the component of pessimism in the verse form. Determinism. Determinism in “A God in Wrath” centres around the thought that the adult male has no pick but to accept the wrath of God and finally his ain destiny.

The whole verse form is a testament to the absence of free will every bit indicated in the man’s useless battle to get away. Man’s free will is figuratively strangled when the God “cuffed him loudly” ( Crane ) and that although he “screamed and struggled” ( Crane ) . which means that he wants to asseverate himself and his free will. no aid arrives and there is no flight. Possibly the man’s last opportunity of flight is the people who “came running” ( Crane ) . and possibly he smiles at the fact that all of them seem to come to his assistance.

Unfortunately. it seems that he is predestined to endure and possibly even dice of his agony when he finds out subsequently on that the people who come running really do nil but say “Ah. what a wicked adult male! ” ( Crane ) . Crane here shows that no sum of shrieks and battles from the adult male. or every adult male in general. can alter the class of nature. the will of a God. or man’s fate to endure. Detachment. The stone-cold objectiveness in Stephen Crane’s tone is felt in the verse form in his usage of such unidentified characters as a God. a adult male. and all people.

The absence of a capital “g” in “god. ” except possibly in the rubric. clearly indicates that this God is non needfully the Christian God but possibly any signifier of divinity considered to be a symbol of cruel and cold absolutism. It can even be faith itself which is shown here that makes adult male suffer. One can besides see that in the verse form. the adult male is nameless. which means that it can stand for any human being peculiarly those who seem to be sing a hopeless battle. Last. the phrase “all people” ( Crane ) may stand for everyone else in the universe of the adult male who suffers.

Besides. the fact that all of them “came running” ( Crane ) tells us that they are united in their action. and that when they all together “cried. Ah. what a wicked adult male! ” ( Crane ) . one can see that people in general are wicked and frequently show their ridicule and inhuman treatment in unison. On the whole. the component of withdrawal in Crane’s “A God in Wrath” tells us that the state of affairs portrayed in the verse form and its painful events are non sole to the characters in it but besides to every agony human being. Decision

Stephen Crane’s “A God in Wrath” is a verse form that portrays the elements of the epoch of Literary Realism and Naturalism. which include pessimism. determinism and withdrawal. Pessimism is reflected by man’s apparently ageless battle with a God that is impossible to suppress and with people who are viciously apathetic to his agony. Determinism is present in the lines that show that his destiny seems inevitable and that no sum of battle and will to last may look plenty to liberate the adult male in the verse form from his agony.

Finally. a sense of withdrawal is expressed by the fact that the characters in the verse form are nameless. Hence. this makes the peculiar literary work a mirror of what really goes on in the life of every human being who suffers and how much hurting he has to bear with the wrath of a barbarous God and the inactivity of his apathetic chap worlds. Works Cited Crane. Stephen. 2010. “A God in Wrath. ” Stephen Maria Crane. Poemhunter. com. May 24. 2010. & lt ; hypertext transfer protocol: //www. poemhunter. com/poem/a-god-in-wrath-2/ & gt ; Crane. Stephen. “A God in Wrath. ” Withered Arm and Other Stories. Ed. George Bess. New Jersey: Viking Penguin. 1999. Print.

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