Edmund de Waal, born in 1964 in Nottingham, is a professor, author and ceramist. His 2010 published literary debut “The Hare with the Amber Eyes” (dt .: “The Hare with Amber Eyes”, 2011) [Read my review of Edmund de Waal:” The Hare with Amber Eyes ” on books reviews “
His second book” The white road < "Edmund De Waal: "The white road not "in"
De Waal lecture just what is collected in numerous standard works. He has researched and personally consuming more than five years now and has traveled to the locations concerned.
His book is therefore a description of an actual approach to his multifaceted subject. This is true even in a broader sense: He himself Potter, also flow his own career, his own experiences in designing one. When he describes how feel the earth what is happening on the potter’s wheel, what emotions accompany the opening of the kiln, we can benefit readers that de Waal is not least a gifted writer. So is this’ history of porcelain, “which no substantive issue leaves unanswered, more a kind of love story between the author and his material – and a dedicated Hinführung the reader to the magic of the fragile material, which for centuries people around the world under its spell suggests
the outer outline -.
66 chapters in five parts plus coda overwritten with the place name Jingdezhen, Versailles, Dresden, Plymouth, Ayoree Hill, Etruria, London, Dachau and New York – seems tame the enormous amount of substance to. In fact, they are only a rough guide. The author submits that no strict systematics.
His enthusiasm is driving him travel experiences, historical excursions, reportage similar passages, philosophical reflections follow each other. Always the full attention of the reader is required, but is dependent anyway breathless de Waals spring.
De Waal was planning his travels as “a kind of pilgrimage to the roots”, as a “pilgrimage”. he wants to climb, “White Mountains”. They are located in China, Germany, England and America. Here one finds the minerals that form the basis of the “white gold”. Many failures had there suffered, countless lives to be sacrificed before the eager clients were satisfied. “This trip is a Schuldabstattung to those who were once” writes de Waal.
His first goal is Jingdezhen, the “World Center of Porcelain”, collected over a thousand years of imperial manufactory. Not far from the mountain Gao-ling rises with its china clay deposits, today a huge slag heap from discarded centuries shards. 1698 who traveled from France Jesuit priest François Xavier d’Entrecolles had (1664-1741) the secret ( “Arcanum”) of porcelain production researched and sent the recipe home. Since then
is called with us the already known under different names white clay “Kaolin”. City Jingdezhen where you uncounted on the “Street of reproductions” for small money items in white porcelain found (Mao plaques, tea cups, a “monk cap Krug” seven T’ang shells) perfect look old, there are so many stories to tell that the author “collect” it is in “a kind of plastic bag in which they accidentally “crash (a fitting image for the structure of this book).
Edmund de Waal’s official mission here to prepare as curator of a Western museum an exhibition of Jingdezhen porcelain. As he describes the continuous monitoring of the program flow, we may chuckle until an inevitable visit to the museum for “Revolution Ceramics”, resulting in mind that porcelain art is being exploited ideologically. Twenty centimeters high figurines aestheticise naked terror – a girl with Spotthut, an execution scene – and speechless. Questions are not welcome.
China we meet only about four hundred pages later when Mao’s Cultural revolutionaries are going to destroy everything “reactionaries” and “counter-revolutionaries”. Until then, the author nor changed many times the subject says and says of himself and others, from the present time or the past, puts itself to different places and in the situation of many other people. One of them is Father d’Entrecolles which portrays the grim working conditions million poor, crippled, sick souls who have to toil for a pittance to death to the Emperor always new treasures to deliver “Forbidden City”: white elephant, a white pagoda porcelain …
the second “white mountain” is looking to Edmund de Waal in Saxony. There, the young prince Friedrich August was years before it is 1,694 elector of Saxony, the “maladie de porcelaine” expire. What splendor can develop a court had made him a visit to Versailles in mind, and fine china was to indispensable. Precious objects from the Ming Dynasty – a Medici Gifts – fired a passion for collecting, which in the long run could not even stop the Saxon State Finance (After his death in 1733 would leave the largest porcelain collection in the world, Augustus the Strong.)
Not nearly as spectacular, mysterious and adventurous as took place in Saxony the history of the English porcelain ( “If Dresden Technicolor was with mistresses and flight plans, then promises to England only many failed experiments. “). The protagonist of de Waal’s third destination is Josiah Wedgwood (1730-1795), who sends a “warhorse” across the Atlantic to the Cherokee people a few tons of its white clay wangle “unaker”. It is from within the Appalachian mountain Ayoree (or Aoyee? In any case de Waal’s fourth mountain) promoted and laboriously transported to the coast and to London. Meanwhile, the pharmacist William Cookworthy which refined ingredients Asian porcelain from minerals. From 1770 his “Plymouth Manufactory” vases, tea sets and jugs produced.
In the twentieth century the white goods to industrial fabricated everyday product for the masses. But lovers and collectors artful unique, there are still. One of them is Heinrich Himmler. He likes happy also earned SS families with “Julleuchtern” from the porcelain factory Allach. 1940 moved Himmler production Dachau concentration camp, where now prisoners properties make that the entire Nazi leadership impress ( “aufbäumender stallion with fluttering mane is”, “Frederick the Great on horseback,” a muscular “fencer”, leaning on his sword complex book).
Edmund de Waal captivates the reader through the enthusiasm of his wide educated, spoke mighty author. He is a driven, obsessed with the search for the total pure white porcelain, whose symbolism he explores, whose story he tells gorgeous.