The painter Gino by Pavlov Review

Topics: DiseasePain

As idyllic this novel begins! We have tourists but all in your memory: The Ferienjet slides landing at Bari or Brindisi about “lo spettacolo della costa”; immediately after landing surrounds us the warm wind of Salento, we pick up the rental car and do not go as expected, bright and happy our district meet.

The English family that arrives on April 6 suspects, however, what she expects. Playing on the beach of Penna Grossa – north of the Nature Reserve WWF di Torre Guaceto – For the children behind the cliffs are already under attack from salt water, battered body of a naked woman …

Cristina Petruzzi and her partner Matteo Lorenzi came here via the A14 from the gray, rainy northern Italy.

The commissario of the Squadra Mobile di Milano had earlier cleared a series of murders in the real estate scene a few months, and the investigative journalist of Radio Popolare had him for page confessed. During the controversial investigation they had been kidnapped himself.

In order to recover from their trauma, the doctor prescribed her a two-week break, and happily received both a welcome invitation to the Salento, which is also for Italians a popular holiday region.

had In another serial murder case Lorenzi worked with De Stefano, the maresciallo dei carabinieri San Vito dei Normanni; the resulting friendship while now led to De Stefanos invitation to his house. Lorenzi hopes Cristina to be able to show the beauty of the area, which he had discovered even with the joint work with the colleagues.

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The house is located in Santa Sabina on the scoglio del Cavallo – crystal clear water, beach idyll, an old watchtower against the Saracens, as they can be admired all along the Apulian coast: The author describes the locations and ways to get there so could detail, we see that they are on holiday.

the first joint dinner at a beach restaurant inspires among the two protagonists pleasant expectations for a lovely stay. In the small harbor in front of the restaurant look a painter over the shoulder of Olaf Nielsen January is the septuagenarian with long white hair and beard; he is from Copenhagen and has settled several years ago here in Carovigno and Ostuni. Most of all he painted and photographed the fishing boats that bob up and down in the water, and the men who work it.

However, from the hoped-for relaxing holiday romance is unfortunately nothing. On the way to the beach of Torre Guaceto Cristina and Matteo meet the task force, which is to investigate the fate of the corpse, and thanks to the personal relationships they are allowed to join.

While the investigators gather their insights, experiences of readers the whole story of the crime, so we are going through it first hand. Two Munich were the end of March also traveled to the South to their worries to forget. Unfortunately, they are at risk-forgotten in their enterprise and lose control of himself and the events. You come across men who little respect, few scruples and have little to lose, and what begins as a sex adventures, ending one of the two women in deadly brutality. In the course of events following fact, even the completely innocent Danish painter comes to, and even Cristina endangered their lives.

This is a quirky book with unusual properties.

narrative of mystery stories is straight, solid and unpretentious as the style of language and direct, sometimes quite plate characterization ( “un bravo magistrato”; “Cristina comprende l’animo del commissario”; “la curiosità professional viene prima della voglia di vacanza e repos “). Perpetrator and victim identities are clear, all activities and events are carefully justified. It does not occur to the author important to verrätseln the case or to create Whodunit -Voltage but uncover what the perpetrators led to their deeds, and illuminate his characters, especially the mentality and social situation. ‘

In addition, the narrator holds and held that position reflects a protagonist: What does it feel? What led to this situation? This has something stylistically Ancient, but creates peace to his senses.

Only the author wants his readers probably not concede to the all freedom of interpretation. Accompanied by photos and YouTube music links, he gives us templates that limit our own imagination. Partly extensive comments on the social and political situation of the country not only interpret the behavior of the protagonists, but

also urge us to a certain view of the world. The novel is imbued with the worldview of socialism Italian stamping ( “cattocomunismo”) the class struggle theories with faith in a better world in the afterlife, a revolutionary gesture with the self-evident acceptance of traditional authorities in the family, the place and incorporated into the church under a hat. He presents a dedicated, detailed image of man Süditalieners, and he breathes the love of the author to Apulia. These qualities are there well, which prompted the juries of two literary prizes to pronounce Gino Marchitelli and his book special recognitions: “Premio letterario internazionale> Il Molinello La Provincia in Giallo < "(an initiative for the promotion of crime fiction that is connected regions) the topics that Marchitelli works out in May, 2014.

in his novel, are the heavy and poorly paid work of the rural population, the seemingly hopeless unemployment outside the three months in the summer season, the prospects of youth, which avoids a convenient shortcuts to fast money and easy pleasure while their brave parents do not understand sheer blind love for her sons, their fears and despair of the decline of old values. But they all have to make changes to bring about too helpless and powerless, and deep down, it slows down all the widespread mentality that it is not to mention better anyway and look after only his own business ( “i cazzi suoi”), when to fall out with their own child or to get involved with the cops. The protagonist, in which all this brings, is Tony, 24, called “drought”. “Tony lu Mazzu se ne fotte di tutto … dei genitori, dei carabinieri, del Lavoro, della morale corrente, della fatica, della vita dei genitori e di una prospettiva fatta di sudore e lavoro duro. Tony utilizza Sostanze, molte e di vario tipo … eppure mantiene un suo strano equilibrio che gli consente di riuscire a lavorare, mascherando la sua dipendenza, con lo zio pescatore. “<

With regard to the question of the leaders in the social misery a crime writer can not offer much more than pretty sweeping corruption and conspiracy “dei potenti e dei politici di turno” to accuse course – phrases that can be heard in Italy on every corner. “Che cazzo di sistema di merda È tutto una scena, tutto finto, una grande, enormous, recita all’aperto. non c’è un teatro, non ci sono le Scenografie, non c’è regia, o meglio c’è la regia nascosta di un potere nemico di noi giovani. In ogni casa si recita un atto di questa commedia che i potenti, i ricchi, i politici ci fanno rappresentare since secoli. Cambiano gli attori ma lo spettacolo è semper lo stesso, la guerra dei poveri e la guerra tra poveri. Gli unici che si divertono sono loro, quelli che comandano, quelli che decidono. “<

By the author reveals the social conditions that afflict his young protagonists, however, he exculpated its perpetrators not. Unmistakably he sees the last responsibility, the moral choice between good and evil is always with the individual, so greatly narrowed its scope also may be. Since they are not yet jaded, lacquered professional criminals, they still have a conscience, and to this instance can la mamma just as appealing as the fatherly friend z ‘ Egidio or il prete , looking at the even someone like Tony lu Mazzu refuge. But the spiritual consolation opened no easy way out, but forces the young man to face up to its responsibility as a human being: “Io non posso assolverti per quanto hai fatto, credo che il Signore ti abbia condotto fin qui per aiutar ti a trovare la strada giusta … Solo dentro di te e con l’aiuto di Dio potrai trovare la forza per espiare la tua colpa. Ora vai a casa e rifletti sulla cosa più giusta fare as “<

Conclusion:. The crimes of which tells Marchitelli, the reader not only offer power, but above all an authentic look into the reality an area that like to glorify the tourists because of its natural beauty or belittle a kind Schlumpf country because of the cute little trulli. Despite small weaknesses “Il pittore” an original reading for all the more attractive to Apulian coast with its magnificent sea and much more make hinterland holiday, want to learn in a fun way about the country and people and polish up their Italian. If you do not want to read in the Kindle edition of the novel, simply contact the author directly (

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The painter Gino by Pavlov Review. (2019, Nov 18). Retrieved from https://paperap.com/the-painter-gino-von-pavlou-my-review/

The painter Gino by Pavlov Review
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