Sakari learns to walk through walls by Jan Costin Wagner Review

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A Unzurechnungsfähiger, spontaneous in which with each must uncontrolled aggression be expected. Who would not appreciate the young man if he that sits on the marketplace in the fountain, naked and with a knife in his hand? A police commissioner as Petri Gronholm must this worst case consider before taking action. He knows the scene exactly the threat has well in mind, sending two police cars going on.

Gronholm makes his way and the evil takes its course. He speaks with the man in the well, the bloody scratches himself with his knife, he looks at the black eyes, “through him into a strange distance,” see, hear him say “I … am an angel”, but can reach it not him.

When he rises to him in the fountain, the other his knife towards the policeman who aims, pulls the trigger, several times even. He later stated that he had the man from a great fear for himself, but also shot the population.

Who would not understand Grönholm’s approach and cheap? Gronholm itself does not. Because there is no way past the bitter truth: He killed a harmless, lovable people

This key scene told Jan Costin Wagner multiple perspectives.. Each of the figures involved will have its own voice. The more the conflict escalate, the denser, more urgent the atmosphere. Almost simultaneously heard the voices breaks the sentence structure. Knappe main sentences in the present tense, fragments, repeated words, simple words lined up in a staccato, which recalls the intensity and tone of the early stories of Heinrich Boll.

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In other action pass in which Detective Joentaa the personality of man in the well and the actions of his colleague Gronholm clears, the author must precede more quickly, but keeps the polyphony as a structuring principle in. Many short episodes from changing perspectives combine to create a sad story.

The Naked in the fountain’s Sakari Ekman and nineteen. The age of fourteen he adored Emma Nystad, his “fairy early morning” from the neighborhood. A motorcycle ride with her ended in an accident that Emma’s life and good cost two families.

Sakari had already suffered from a personality disorder and used drugs. The tragic, inflicted by him accident catapulted him completely from reality. From then on he lived in a dream world where he sought Emma, ​​heard her voice. In his Facebook profile he gave as a profession “angel” to the small apartment where he lived alone, he called “cloud-WG” and the dominant color in it is blue, like the sky and the sea.

After the senseless accidental death of her daughter, the family Nystad can lead a normal life. Mother Leena no longer leaves the happier past; her two sons, David and Erik, they do not perceive more. Her husband, a pilot and snooker players have always been in other spheres of the road, nothing attracts more back to his home. David’s SMS requests, where he was straight, he rarely responds.

Joentaa that must prove themselves for the sixth time as a protagonist in a mystery novel by Jan Costin Wagner, is an unusually sensitive Commissioner. No accusation comes from his lips. Sensitive he tries to cope with Grönholm’s emotional needs and the heavy debt that weighs on him with it. The two neighboring families Ekman and Nystadt visited and interviewed the policeman full of sympathy and respect.

melancholy and cold are the feelings that accompany Scandinavian thrillers usually the plot with a minor tune. But the deep sadness that Jan Costin Wagner his Finnish Kimmo Joentaa-series mitgibt is almost unbearable. Here a sufferer pulls the other for himself. Lauter mentally tortured people lose their grip in life, retreat to past parallel worlds, looking for their loved ones in the realm of the dead, crave himself there. How could their relatives, “left alone in the here and now”, to cope with the losses? Leena’s son David, 11, loses his innocent exuberance. He assumes responsibility for the four year old brother and puts his everyday tasks – a much too heavy a burden for a child. Also Gronholm, totally inexperienced and without any training in dealing with the mentally ill, was overwhelmed when confronted with the difficult personality of Sakari Ekman.

comforting there for loyal Wagner reader only by Kimmo Joentaa family development Experienced. He also had many years heavy to carry after his wife succumbed to her cancer. With his daughter mutual Care, Love, new affirmation of life and a home as a stable retreat where they can cook together and laugh join him. If Kimmo is in use, he knows the rational, responsible girl surrounded by her girlfriends well kept safe and.

Jan Costin Wagner, born in 1972, lives in Frankfurt and in Finland, the home of his wife. Already his debut novel “Night Ride” was named best crime novel of the year 2002 with the Marlowe Prize, and since then the author has received several other awards. His literary output is impressive. He has designed a distinctive character, awakened by heartfelt compassion, quiet thoughtfulness and melancholy sympathy and (after Wagner’s own admission) a “silent heat” radiates, which is a typically Finnish peculiarity. Here Joentaa sinking far into sentimentality, but processed his misfortunes active and helps other sufferers by comfort and support to cope with their needs. This protagonists Wagner has also accomplished the amazing feat of creating an independent type of detective fiction, which manages contrary to the trends of the genre without evil, without hate, without envy and without massacres, yet is extremely exciting to read.

Finally, Wagner’s confident style. It is both simple and unpretentious in syntax and vocabulary, clear and dissociates in the statement, factual in tone. On the other hand, the author has the gift to bring his keen observations to the point that it causes intense effects. Of particular strength are the aesthetic, memorable imagery ( “… power on the skin, the water and sand have spun”; “what Peter says suddenly, in the silence, thickens immediately formed from himself, forms a yellow butterfly in the air “) flutters.

Thanks to the ability to construct his characters voices to the depths of their souls, succeed Wagner, to tap into the abstruse parallel world of traumatized, the mentally afflicted. In his novel, we can accompany them, join them “door to door” look from their perspective behind the protective walls, to penetrate through the no to them and can see their pictures, dreaming their dreams, sense what it means if faded, the darkness of the night in the morning: Then the fear of “memory, the memory fantasy, the fantasy a standstill idea can laugh about it” is. With the sunlight, people return back with them the nameless threat and the fear and the afflicted pull himself back into her tight affairs.

The plot is based on a true event that at the end of June 2013 on Neptune fountain in Alexanderplatz was happening. Jan Costin Wagner has moved the story from Berlin to Turku on the southwest coast of Finland and increases to a work of art.

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Sakari learns to walk through walls by Jan Costin Wagner Review. (2019, Nov 18). Retrieved from

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