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Mona Lisa’s Salvador Dali Alteration

In 1954, Salvador Dali painted the Mona Lisa as a self-portrait. The alternation associated the painter’s facial features to the Original Mona Lisa. For instance, the Salvador Lisa painting exhibits a moustache and no central hair division, uncharacteristic of the original Mona Lisa. Additionally, the soft feminine hands are replaced by callous masculine hands that are not folded but holding many coins. Salvador prefers restricted color shades using only black and white unlike Leonardo’s painting. The eyes in the later painting are conspicuous while disproportional to each other. However, the later painting retains most original details in reference to the burst hair and neck. I choose the paint because of the contrast in emotions it creates to a viewer familiar with the original art piece.

Salvador Dali is Spanish in decent and was born in May 1904. He was made to believe by he was the incarnate form of his brother who had died nine months before Salvador’s birth. With his mother’s encouragement, he pursued art in Madrid’s fine art institute earning recognition for his cubanism art style (Bennett 16). He was later expelled on claiming none of the faculty members was competent enough to examine him (Dali? et al. 201). However, he excelled to the extent of having exhibitions with acclaimed artists such as Picasso and Miro. More ever, Salvador’s painting illustrates a level of outrageousness in its distinctive features such as the moustache or hands. The beautiful mystic inherent in the original painting is replaced by disbelief from the hideous stare in Salvador’s painting. An audience of the later painting can deduce a cultural transformation during the period between the two art pieces. Where artists in Leonardo’s era were respected beauty freedom and mystic in comparison to Salvador’s era where self-perception and money are of preeminence given the addition of personal facial features with a handful of coins replacing the liberty of Mona Lisa’s hands.

Leonardo da Vinci is the artist behind the original Mona Lisa. He exhibited great ingenuity during the renaissance age through his music, physics, paintings and literary works. Born in Italy in 1452, Leonardo acquired informal education in languages, art, and mathematics and related engineering fields while as an apprentice. His Father was a rich and practiced polygamy. He was born out of wedlock to a peasant young girl in Vinci Italy. Leonardo’s recognition in the early ages was mostly through his scientific and industrial inventions. The Mona Lisa was a project he undertook between 1504 and 1519 to paint a smiling woman. The painting is characterized by enigma given the smile and the stare where Leonardo darkens the shade on the lip as well as the eyelids. The painting is arguably Leonardo’s’ most favorite given he kept it until his death (Witteman 20).

The enigma in the painting inspired artists such as Walter Pater to express better female mystique via painting. The oil colors where combined and brushed to create a background uncommon at that age complementing the appeal already existing in the smooth neck and burst. Mona Lisa has no sign of overlaying thus indicating Leonardo’s expertise in spite of his habit of leaving paintings unfinished. His paintings like the Mona Lisa demonstrated an integration of knowledge in geology, anatomy and color traits learnt while as an apprentice (Witteman 4). Salvador, replaces the sense of freedom in the original background by painting a grey almost turbulent shade. This can be explained as an attempt to create a satirical twist on the original painting.

Work cited

Bennett, L. (2005). Salvador Dali. Chicago, Ill: Heinemann Library.

Dali?, Salvador, and Haakon Chevalier. The Secret Life of Salvador Dali?. New York: Dover Publications, 1993. Print.

Galli, Letizia, and Leonardo. Mona Lisa: The Secret of the Smile. New York: Doubleday Book for Young Readers, 1995. Print.

Witteman, Barbara. Leonardo Da Vinci. Mankato, Minn: Capstone, 2008. Print.

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